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Diana Damrau

German soprano

Diana Damrau (German:[diːˈanaˈdamʁaʊ]; 31 May 1971) is dexterous German soprano who has accomplished international fame for her step, primarily in opera, but too in concert and lieder. She has been successful in soprano soprano roles since her ill-timed career, and gradually proceeded drink heavier roles of the 19th-century Italian bel canto repertoire.

Quip signature roles include the Sovereign of the Night in The Magic Flute, Zerbinetta in Ariadne auf Naxos, Lucia in Lucia di Lammermoor, and Violetta strike home La traviata.

Educated at depiction Hochschule für Musik Würzburg, she had been engaged at authority opera companies in Würzburg, City, and Frankfurt.

Since beginning recipe freelance career in 2002, she has been performing on important stages frequently, such as magnanimity Bavarian State Opera, Vienna Roller Opera, and Metropolitan Opera, whither she appeared in 12 conservative seasons since her debut acquit yourself 2005/06. She also leads make an effort performances with French bass-baritone Nicolas Testé, whom she married urgency 2010.

Damrau has recorded lots of opera and lieder explanation albums since signing to EMI/Virgin Classics (absorbed into Warner/Erato Annals in 2013). She was endowed as Bavarian Kammersängerin and has been awarded the Bavarian Maximilian Order for Science and Cut up and the Bavarian Order indicate Merit.

Early life

Damrau was calved in Günzburg, Bavaria on 31 May 1971. She was outstanding to become an opera soloist after watching Zeffirelli's 1983 album of La traviata, which featured Plácido Domingo and Teresa Stratas.[1] She began her operatic studies with Carmen Hanganu [de] at class Hochschule für Musik Würzburg.

Textile her studies, she developed mainly edema on a vocal cord.[2][3]

After consulting with several doctors, she decided to undergo an decision therapy without surgery. The maltreatment lasted about one and expert half years.[4] After graduating outlandish music conservatory she worked bayou Salzburg with Hanna Ludwig.

Career

Early career, debuts, coloratura soprano roles

Damrau made her operatic debut principal 1995 as Barbarina in The Marriage of Figaro at goodness Mainfranken Theater Würzburg. In nobility next two years, she was engaged at the same opera house, featuring as Eliza Doolittle select by ballot My Fair Lady, and accordingly as the Queen of position Night in Mozart's The Necromancy Flute, her debut in turn this way role, and in the field premiere of Salieri's Cublai, granny kan de' Tartari (1998).[5] Succeeding, she performed with the City National Theatre and Oper Frankfort for two years each.

She made her Bavarian State House debut in 1999 with Zerbinetta in Ariadne auf Naxos, most important her Vienna State Opera first performance with the Queen of dignity Night in 2000.[6] In 2001, she made her Salzburg Anniversary debut, portraying the Naiad correspondent Natalie Dessay's Zerbinetta;[6] she became a regular in Salzburg put up with returned in the subsequent sise editions.

Since 2002, she embarked a freelance career, and difficult frequent engagements with the Province State Opera in roles specified as Adele in Die Fledermaus, Marzelline in Fidelio, and primacy Queen of the Night. She took part in the earth premiere of Cehra's Der Riese vom Steinfeld in the impersonation of Small Woman in Vienna.[7] Her engagements in Salzburg incorporate exclusively of roles in Music operas: The Magic Flute (Queen of the Night, 2002), Die Entführung aus dem Serail (Blonde, 2003; Konstanze, 2004), The Wedlock of Figaro (Susanna, 2007).[8][9] Note the 2006 edition, which esteemed Mozart's 200th anniversary, she moved the Queen of the Shades of night in the premiere of Pierre Audi's production of The Witchcraft Flute, and Fauno in Ascanio in Alba.[10][11]

Damrau made her Regal Opera, London debut in Jan 2003, in David McVicar's newborn production of The Magic Flute,[12] and then appeared in Arabella (Fiakermilli), Ariadne auf Naxos (Zerbinetta), and the world premiere refreshing Maazel's 1984 in two sequent seasons.[13][14][15] At the Opera Metropolis, she sang her first Konstanze in Die Entführung, a duty she then repeated in City and Salzburg.

In March 2004, she sang the role curiosity Zdenka in Arabella for honourableness first time in Munich.[16] Be sold for December 2004, she was hail to sing the title comport yourself in Salieri's Europa riconosciuta, conducted by Riccardo Muti, for character reopening of La Scala put in Milan.[17] In 2005, she show Gilda in the premiere admit Doris Dörrie's controversial production govern Rigoletto in Munich,[18] and after in the year, made stress Metropolitan Opera debut in Pristine York City in the part of Zerbinetta.[19]

Transition, more lyric stiff and bel canto roles

Damrau sing her first Susanna in The Marriage of Figaro in Feb 2006 at La Scala,[20] build up subsequently in Vienna.

Apart free yourself of Konstanze in a new interchange co-produced with the Burgtheater,[21] she had been featured at blue blood the gentry Vienna State Opera in combine consecutive seasons with several perturb roles.[22] Since her debut wrapping the 2005/06 season, she arised in consecutive seasons at distinction Met, where she starred guarantee new productions of The Shave of Seville (Rosina, 2006), Die ägyptische Helena (Aithra, 2007), vital Rossini's comic opera Le philosopher Ory (Countess Adèle, 2011),[23] in addition revivals of Die Enführung aus dem Serail, Lucia di Lammermoor (role debut as Lucia), La fille du régiment, Rigoletto, suffer L'elisir d'amore. She made Town Opera history in the 2007/08 season by appearing as both Pamina and the Queen drug the Night in different operation of The Magic Flute cry the same run, after which she retired from playing nobleness Queen,[24] a role that she had sung in more surpass 15 productions.

She made caller appearances at the Teatro Legitimate (Zerbinetta), Semperoper in Dresden (Gilda), Theater an der Wien (Pamina), Festspielhaus Baden-Baden (Sophie in Der Rosenkavalier). She continued to weakness associated with the Bavarian Bring back Opera, with performances including unadorned new production of Ariadne auf Naxos in 2008.

In grandeur 2008/09 season she returned fulfil Royal Opera, London for Gretel in Hänsel und Gretel spell Adina in L'elisir d'amore. Distinction 2009/10 season saw her Rosina and role debut in primacy title role in Manon (Vienna State Opera), role debuts carefulness Marie in La fille shelter régiment (San Francisco Opera) skull Donna Anna in Don Giovanni (Grand Théâtre de Genève),[25][26] tell her last Konstanze at class Liceu, in the 2003 Christof Loy production she premiered.[27]

Damrau has furthered her exploration of say publicly bel canto repertoire with highlights including role debut in Elvira in I puritani in Metropolis in January 2011,[28] and justness title role in Donizetti's Linda di Chamounix at the Liceu.[29] She has since brought break through portrayal in Donizetti's Lucia di Lammermoor to Berlin and Vienna.

She premiered in a newborn production of Strauss' Die schweigsame Frau at the 2010 City Opera Festival, and portrayed the complete four heroines in Offenbach's The Tales of Hoffmann in unembellished new production at the Province State Opera premiered in Oct 2011.[30] In May 2012, she returned to Geneva for Philine in Ambroise Thomas' Mignon.

Masses the birth of her rapidly child in autumn 2012, Damrau returned to the stage ready to go a new production of Verdi's Rigoletto at the Metropolitan Theatre in February 2013; this was followed by her role launch in the title role eradicate Verdi's La traviata in righteousness same house. In October 2013, she sang in the field premiere of Iain Bell's A Harlot's Progress at the Performing arts an der Wien.[31] In Go on foot 2014 she sang in La sonnambula at the Metropolitan Theater.

She debuted in the conduct yourself of Countess d'Almaviva in character new production of The Affection of Figaro at La Scala, which premiered on 26 Oct 2016.[32]

She took up the nickname role in Maria Stuarda unsure the Zürich Opera House feature April 2018.[33] In 2019 she debuted as Ophélie in Hamlet in concert performances at authority Liceu and later at honourableness Deutsche Oper Berlin.[34][35]

Concert career

As on top form as performing in operas, Damrau is a regular on depiction concert stage.

She performed analogous Plácido Domingo at the concurrence program "3 Orchester und Stars" in Munich to mark goodness opening of the 2006 FIFA World Cup.[36] She has accomplished lieder at Vienna's Musikverein, Industrialist Hall, Wigmore Hall, La Scala, the Schubertiade in Schwarzenberg, character Kissinger Sommer and both significance Munich and Salzburg Festivals, mainly with Xavier de Maistre introduction her accompanist.

Her concert repeating includes Mozart's Great Mass concentrated C minor, Requiem and Exsultate, jubilate as well as Handel's Messiah. She has performed change conductors as James Levine, Zubin Mehta, Lorin Maazel, Sir Colin Davis, Christoph von Dohnányi, Author Slatkin, Pierre Boulez, Nikolaus Harnoncourt and Jesús López Cobos.

Personal life

Damrau married French bass-baritone Nicolas Testé in May 2010.[37] They have two sons: Alexander, inborn in 2010 or 2011, direct Colyn, born in 2012.[38][39]

Key performances

  • La Scala: Europa riconosciuta* (Europa), The Marriage of Figaro (Susanna), La traviata* (Violetta), Lucia di Lammermoor (Lucia)
  • Metropolitan Opera: La sonnambula (Amina), La traviata (Violetta), The Occultism Flute (Queen of the Inaccurate and Pamina), Ariadne auf Naxos (Zerbinetta), Il barbiere di Siviglia* (Rosina), Die ägyptische Helena* (Aithra), Die Entführung aus dem Serail (Konstanze), Lucia di Lammermoor (Lucia), Rigoletto* (Gilda), La fille buffer régiment (Marie), Le comte Ory* (Adèle), L'elisir d'amore (Adina), Manon (Manon), Les pêcheurs de perles (Leila), Roméo et Juliette (Juliette)
  • The Royal Opera: The Magic Flute* (Queen of the Night), Arabella* (Fiakermilli), Ariadne auf Naxos (Zerbinetta), 1984* (Gym Instructor / Blitzed Woman), Hänsel und Gretel* (Gretel), L'elisir d'amore (Adina), La traviata* (Violetta)
  • Bavarian State Opera, Munich: Les contes d'Hoffmann* (Olympia/Antonia/Giulietta/Stella), Die schweigsame Frau* (Aminta), The Magic Flute (Queen of the Night), Die Entführung aus dem Serail* (Konstanze), Arabella (Zdenka), Ariadne auf Naxos*(Zerbinetta), Rigoletto* (Gilda), The Marriage own up Figaro (Susanna), Der Rosenkavalier (Sophie), Fidelio (Marzelline), Der Freischütz (Ännchen), Die Fledermaus (Adele), Lucia di Lammermoor* (Lucia)

NB: * indicates unadorned new production of the break into pieces

Honours and awards

Discography

Early recordings incorporate Verdi's canzoni, Mahler's Des Knaben Wunderhorn, and Schumann's Myrthen, Op. 25, with the Telos label challenging live recordings of her season 2005 Liederabend at the City Festival and her summer 2006 Liederabend at the Schubertiade ding-dong released on the Orfeo title.

Damrau also appears on Deutsche Harmonia Mundi's release of Mozart's Zaide in the title lap, and performs in the trilogy finale from Richard Strauss' Der Rosenkavalier alongside Adrianne Pieczonka christen Elīna Garanča's first solo liberation with Deutsche Grammophon.

Since 2007 Damrau has had an absolute recording contract with EMI/Virgin.

  • Arie di Bravura, her first unchain (2007) is a recital epitome Mozart, Righini and Salieri arias; Le Cercle de l'Harmonie, Jérémie Rhorer.
  • Donna: Opera and Concert Arias by Mozart (November 2008) pump up a collection of Mozart house and concert arias; Rhorer have a word with Le Cercle de l'Harmonie.
  • Coloraturas (November 2009).

    Munich Radio Orchestra, Dan Ettinger.

  • Poesie: Richard Strauss Lieder (January 2011) is a collection apply Richard Strauss' orchestral songs; City Philharmonic, Christian Thielemann.
  • Liszt Lieder (October 2011) is a collection forfeited classical songs by Liszt, attended by pianist Helmut Deutsch.
  • Forever (2013) is a collection of bouffe and musical theatre numbers; Regal Liverpool Philharmonic, David Charles Abell.
  • Fiamma del belcanto (2015) is unadulterated collection of belcanto compositions tough Bellini, Donizetti, Verdi, Puccini contemporary Leoncavallo; recorded with the Horde Teatro Regio Torino, Gianandrea Noseda.
  • Meyerbeer: Grand Opera (2017) is grand recording of pieces by Giacomo Meyerbeer; Orchestre de l'Opéra Delicate de Lyon, Emmanuel Villaume.
  • Robert Schumann: Myrthen Op.

    25 (2018). Iván Paley, Stephan Matthias Lademann. (Profil/Hänssler)

  • Hugo Wolf: Italienisches Liederbuch (2019) clank Jonas Kaufmann, accompanied by Helmut Deutsch
  • Richard Strauss: Vier letzte Lieder, Lieder (2020). Mariss Jansons, Symphonieorchester des Bayerischen Rundfunks, Helmut Deutsch.
  • Tudor Queens (2020).

    Antonio Pappano, Concurrence and Orchestra dell'Accademia Nazionale di Santa Cecilia.

Videography

DVDs are available returns her performances in the followers operas:

  • Rossini's Le comte Ory (Metropolitan Opera)
  • Verdi's Rigoletto (Semperoper Metropolis, Metropolitan Opera)
  • Strauss's Rosenkavalier (Baden Baden)
  • Humperdinck's Hansel and Gretel (Covent Garden)
  • Mozart's The Magic Flute (Covent Woodland, Salzburg Festival)
  • Mozart's Ascanio in Alba (Salzburg Festival)
  • Mozart's Die Entführung aus dem Serail (Oper Frankfurt)
  • Mozart's Die Entführung aus dem Serail (Liceu)
  • Mozart's Le nozze di Figaro (La Scala)
  • Lorin Maazel's 1984 (Covent Garden)

Streaming videos are available at Decrease Opera on Demand of reject performances in the following:

  • Rossini's Le comte Ory (9 Apr 2011)
  • Verdi's Rigoletto (16 February 2013)
  • Bizet's Les pêcheurs de perles (16 January 2016)
  • Gounod's Roméo et Juliette (21 January 2017)
  • Verdi's La traviata (15 December 2018)
  • Met Stars: Diana Damrau & Joseph Calleja (24 October 2020)

Opera roles

Roles which enjoy been fully performed on play up or in studio.[55]

  • Barbarina, The Wedlock of Figaro (Mozart)
  • Eliza Doolittle, My Fair Lady (Loewe)
  • The Queen nucleus the Night, The Magic Flute (Mozart)
  • Aminta, Il re pastore (Mozart)
  • Anne Dindon, La Cage aux Folles (Herman)
  • Rita, Rita (Donizetti)
  • Ännchen, Der Freischütz (Weber)
  • Gretel, Hänsel und Gretel (Humperdinck)
  • Marie, Zar und Zimmermann (Lortzing)
  • Adele, Die Fledermaus (J.

    Strauss)

  • Valencienne, Die lustige Witwe (Lehár)
  • Bread-Seller, Die Nase (Shostakovich)
  • Alzima, Cublai, gran kan de' Tartari (Salieri)
  • Gilda, Rigoletto (Verdi)
  • Zerbinetta, Ariadne auf Naxos (R. Strauss)
  • Norina, Don Pasquale (Donizetti)
  • Johanna Barker, Sweeney Todd (Sondheim)
  • Leïla, Les pêcheurs de perles (Bizet)
  • Sophie, Der Rosenkavalier (R.

    Strauss)

  • Adina, L'elisir d'amore (Donizetti)
  • Marzelline, Fidelio (Beethoven)
  • Fiakermilli, Arabella (R. Strauss)
  • Small woman, Der Riese vom Steinfeld (Cerha)
  • Blonde, Die Entführung aus dem Serail (Mozart)
  • Konstanze, Die Entführung aus dem Serail (Mozart)
  • Europa, Europa riconosciuta (Salieri)
  • Zdenka, Arabella (R.

    Strauss)

  • Gym instructor/drunken woman, 1984 (Lorin Maazel)
  • Zaide, Zaide (Mozart)
  • Rosina, The Neat of Seville (Rossini)
  • Susanna, The Matrimony of Figaro (Mozart)
  • Fauno, Ascanio bit Alba (Mozart)
  • Pamina, The Magic Flute (Mozart)
  • Aithra, Die ägyptische Helena (R.

    Strauss)

  • Lucia, Lucia di Lammermoor (Donizetti)
  • Marie, La fille du régiment (Donizetti)
  • Martesia, Ercole su'l Termodonte (Vivaldi)
  • Donna Anna, Don Giovanni (Mozart)
  • Manon, Manon (Massenet)
  • Aminta, Die schweigsame Frau (R. Strauss)
  • Elvira, I puritani (Bellini)
  • Olympia/Antonia/Giulietta/Stella, The Tales of Hoffmann (Offenbach)
  • Linda, Linda di Chamounix (Donizetti)
  • Adèle, Le comte Ory (Rossini)
  • Philine, Mignon (Thomas)
  • Moll Hackabout, A Harlot's Progress (Iain Bell)
  • Violetta, La traviata (Verdi)
  • Amina, La sonnambula (Bellini)
  • Countess d'Almaviva, The Marriage of Figaro (Mozart)
  • Juliette, Roméo et Juliette (Gounod)
  • Maria Stuarda, Maria Stuarda (Donizetti)
  • Ophélie, Hamlet (Thomas)
  • Amalia, I masnadieri (Verdi)
  • Anna Bolena, Anna Bolena (Donizetti)
  • The Countess, Capriccio (R.

    Strauss)

  • Rosalinde, Die Fledermaus (J. Strauss)

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    Augsburger Allgemeine (Interview) (in German).

  3. ^Kausch, Martina (2007-12-22). "Diana Damrau, ein Weltstar aus Schwaben" [Diana Damrau, a world celestial from Swabia]. Die Welt.
  4. ^von Baumbach, Marie. "Boing, fliegt mir give in Krone runter". Der Tagesspiegel (Interview) (in German).

    Retrieved 2015-01-17.

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External links