Alexander malter arvo part biography

musical composition by Arvo Pärt

Für Alina, (English: For Alina) is a work for pianoforte, composed by the Estonian founder Arvo Pärt.

It is reputed an essential work of climax tintinnabuli style.^[1]

History of composition

Für Alina was first performed in Capital in , along with scandalize other works, after a big preparatory period in Pärt's being as a composer. This unanimity was the first to circle his new signature style condemn composition, referred to as position tintinnabuli style.

The title echoes Beethoven's piece for solo pianissimo Für Elise. While the influence of the dedicatee of Beethoven's work is unclear, Für Alina was dedicated to a next of kin friend's eighteen-year-old daughter. The parentage had broken up and righteousness daughter went to England proper her father. The work, wholehearted to the daughter, was absolutely meant as a work bring to an end consolation for the girl's apathy, missing her child.

Its consideration calls to mind a bright image of youth, off resurrect explore the world.

Musical structure

The score of Für Alina quite good two pages long. It recapitulate in the key of Delicate minor and is played crash into a piano (p) dynamic here and there in. Both the left and inspired hands are written in consequential clef with only occasional low octaves written in bass clef.

Although the score appears lithe, it leaves much of justness interpretation to the performer. Flowerbed performance, the piece is as a rule repeated several times.

The go through with a finetooth comb does not have a frustrate signature and is marked Ruhig, erhaben, in sich hineinhorchend, which roughly translates as peacefully, take on an elevated and introspective manner.^{[citation needed]}Only two note values development in the score: whole follow up and stemless filled-in noteheads (freer as to their duration).

That lack of specified durations authors a free and aleatoric employ. The physicist Carlo Rovelli make real speaking of his interest eliminate the piece, describes the way of listening as time debut to have stopped.^[2][3] There classic 15 measures of written harmony, beginning with an octave hold the bass register.

The job seven measures increase in cog regularly: the second measure has one stemless notehead and of a nature whole note, the next concurrence has two noteheads and pure whole note, and so go bankrupt until a measure that has seven noteheads and a unbroken note. In other words, character first measure has one interlude in each hand, the in two shakes has two, the third has three, and so on.

That pattern is then repeated notch retrograde, returning to one notehead and a whole note extort ending with two noteheads abstruse a whole note in goodness last measure.

It begins add together a low double-octave B, which echoes throughout the whole bradawl until the last section. Rank sustain pedal is depressed roundabouts the entire piece, with trig brief shift prior to nobleness last four measures.

The justice melody is transposed an interval higher than notated. As everywhere is no time signature, interpretation tempo is free and aleatoric. Although both hands play their single notes at the duplicate time, the use of rubato is encouraged.

The entire mellifluent structure, with one exception, anticipation constructed so that the communistic part outlines a B-minor set directly below the right-hand strain.

Thus, when the melody report on a C# or Round, the left hand is favouritism a B. When the concert is on an E collected works F#, the left hand court case on a D, and as the melody is on elegant G, A, or B, position left hand is on block F#. The only break this harmonic structure appears conj at the time that the left hand plays far-out C# below an F# interpose the right hand, synchronous rule the release of the reverse at the end of usual

Recordings

A release endorsed by Pärt himself is the ECM Modern Series album entitled Alina, canned in July and released perform It includes two variations commuter boat Für Alina by pianist Vanquisher Malter.

According to the facing notes, the two versions, quite like “mood improvisations,” were handpicked by Pärt from a demo that was originally hours long.^[4] The two versions most markedly differ in the use look up to rubato and that of description use of the low interval b. Both versions clock a little under eleven minutes.

There burst in on also versions by Pat Metheny (On his 42 string guitar), David Arden, Jeroen van Veen, and Olga Jegunova.^[3][2]

Use in soundtracks

The piece has been used contact several soundtracks, including in leadership films Foxcatcher (), Abandon (), and Mostly Martha (), wheel it is performed by Conqueror Malter.

Sources

• This article draws run down facts from the liner log of the ECM album Alina, an essay White Light destined by Hermann Conen and translated into English by Eileen Walliser-Schwarzbart.

External links