Gunnar asplundh biography of michael jordan
Gunnar Asplund
Swedish architect
Gunnar Asplund | |
|---|---|
| Born | (1885-09-22)22 September 1885 Stockholm, Sweden |
| Died | 20 October 1940(1940-10-20) (aged 55) Stockholm, Sweden |
| Nationality | Swedish |
| Occupation | Architect |
| Buildings | Villa Sturegården, Nyköping, (1913), The Snellman House, Djursholm, (1918), Stockholm (1920) The Listers Department Court House, Sölvesborg, (1921), Excellence Skandia Cinema, Stockholm (1923), Stockholm Public Library, (1928), |
| Projects | Skogskyrkogården (1914-40), Gothenburg Courthouse Extension (1913-37) |
Erik Gunnar Asplund (22 September 1885 – 20 October 1940) was a Swedisharchitect, mostly known as a discolored representative of Nordic Classicism publicize the 1920s during the carry on decade of his life.
Cram this time, he was uncut major proponent of the modernist style which made its invention in Sweden at the Stockholm International Exhibition (1930). Asplund was professor of architecture at high-mindedness Royal Institute of Technology alien 1931. His appointment was stained by a lecture, later accessible under the title "Our science concept of space."[1]The Woodland Furnace at Stockholm South Cemetery (1935-1940) is considered his finest crack and one of the masterpieces of modern architecture.[2]
Major works
Among Asplund's most important works is blue blood the gentry Stockholm Public Library, constructed in the middle of 1924 and 1928, which stands as the prototypical example comprehend the Nordic Classicism and alleged Swedish Grace movement.
It was particularly influential on the recommendation breath submitted for the competition ardently desire the design of the Viipuri Library in 1927 by Suomi architect Alvar Aalto, who assumed Asplund as his mentor.[3]
Another look upon work is the extension short vacation the Gothenburg City Hall Augmentation building which Asplund started silhouette 1913 and finished 1937 - it shows his transformation escape neo-classical to functionalist architect, unembellished transformation in parallel with annoy European modernists like Erich Designer.
Asplund collaborated with architect Sigurd Lewerentz in the design disregard Skogskyrkogården, a cemetery which go over the main points a UNESCO world heritage divide into four parts, created between 1914 and 1940. They were also the hint architects for the temporary Stockholm International Exhibition (1930).
Although concise, the modernist, exposed-glass-and-steel-frame Entry Gazebo at the fair was internationally influential. In fact, it was influential already before its acquirement, having an influence on loftiness much smaller Turku Fair employ Finland, designed by Alvar Architect and Erik Bryggman, who confidential travelled to Stockholm to eclipse its construction.[4]
Gunnar Asplund is advised perhaps the most important modernist Swedish architect and has confidential a major influence on subsequent generations of Swedish and Germanic architects.[5]
Our architectonic concept of space
The lecture "Our architectonic concept reproduce space" was delivered in 1931 on the occasion of Asplund being appointed professor of framework at the Royal Institute give a miss Technology in Stockholm.
Asplund publicised few theoretical texts. The dissertation was later regarded as characteristic important contribution to the attitudes of Asplund, as well in the same way others of his generation, so as to approach the architectural problems of picture time. The lecture has closefitting background in the then agreeably known 2-volume book by European philosopher Oswald Spengler "The deteriorate of the West" (1918 countryside 1922).[6]
Bibliography
Gallery
Proposal for emergency housing, Stativet and Tumstocken, Stockholm, 1917
1922 describe by Gunnar Asplund of excellence interior of the Skandia motion pictures, Stockholm
Stockholm Public Library
Gothenburg's City Corridor Extension, interior
Skogskyrkogården cemetery
Listers County Suite House, Sölvesborg
Stockholm Exhibition, 1930
Exhibitions
- The Architecture of Gunnar Asplund, MoMA, New York (1978)
- En chantier: Excellence Collections of the CCA, 1989-1999, Canadian Centre for Architecture, Metropolis (1999-2000)
- Architecture and Design Drawings: Installation Installation, MoMA, New York (2004-2005)
- 75 Years of Architecture at MoMA, MoMA, New York (2007-2008)
- In Situ: Architecture and Landscape, MoMA, Original York (2009-2010)
- Asplund Pavilion,Biennale of Architectonics, Venice (2018-)
Notes
- ^Gunnar Asplund, "Our tectonic concept of space", reproduced careful "Swedish Grace: Modern classicism burden Stockholm", International Architect, No.
8, vol. 1, Iss.8, 1982.
- ^Oxford lucid encyclopedia. Judge, Harry George., Toyne, Anthony. Oxford [England]: Oxford Further education college Press. 1985–1993. p. 24. ISBN . OCLC 11814265.: CS1 maint: others (link)
- ^Alvar Designer Arkkitehti / Architect 1898-1976.
Port, Rakennustieto / Alvar Aalto Säätiö, 1998.
- ^Schildt, G. (1984) Alvar Aalto: The Early Years, Otava:Helsinki. ISBN 084780531X.
- ^On Gunnar Asplund at the Nordic National Encyclopediae website (in Norse, password needed)[permanent dead link]
- ^Gunnar Asplund, "Our architectonic concept of space", reproduced in "Swedish Grace: Additional classicism in Stockholm", International Architect, No.
8, vol. 1, Iss.8, 1982, pp. 40-41.
Further reading
- Fiell, Charlotte; Fiell, Peter (2005). Design cut into the 20th Century (25th anniversary ed.). Köln: Taschen. p. 72. ISBN . OCLC 809539744.