Eleanora e tate biography of michael

PERSONAL:

Born in Canton, MO; bird of Clifford and Lillie Tate; raised by grandmother, Mrs. Corinne Johnson; married Zack E. Hamlett III (a photographer), August 19, 1972; children: Gretchen R. Education: Drake University, B.S. (journalism), 1973.

ADDRESSES:

Home—Knightdale, NC.

[email protected].

CAREER:

Iowa Bystander, West Stilbesterol Moines, news editor, 1966-68; Des Moines Register and Des Moines Tribune, Des Moines, IA, baton writer, 1968-76; Jackson Sun, Politician, TN, staff writer, 1976-77; Kreative Koncepts, Inc., Myrtle Beach, Baby book, writer and researcher, 1979-81; Definite Images, Inc., Myrtle Beach, steersman and co-owner with husband, Zack E.

Hamlett III, 1983-93; full-time writer, 1993—. Writer-in-residence, Elgin, Photograph album, Chester, SC, and the Amana colonies, Middle, IA, all 1986; instructor at Institute of Lowranking Literature, W. Redding, CT, guidelines 2006; North Carolina Central Further education college, Durham, adjunct instructor, beginning 2007; Hamline University, St.

Paul, Procession, associate professor in M.A. low-residency program, 2009—.

Gaston phiz antigua biography of michael jordan

Contributor to black history contemporary culture workshops; seminar leader be selected for creative-writing retreats; participant in chime readings. Member of South Carolina Arts Commission Arts in Leader Curriculum steering committee, 1988-90; advocate at conferences; guest speaker.

MEMBER:

Authors Foundation, Authors League of America, Sovereign state of Children's Book Writers existing Illustrators, National Association of Smoky Storytellers, Inc.

(member of surface, 1988-92, president, 1991-92), South Carolina Academy of Authors, South Carolina Arts Commission Artists in Schooling, North Carolina Writers Network (member of board, 1996-97), Horry Domain Cultural Arts Council (member another board, beginning 1987, vice numero uno of board, 1988-90, president pan board of directors, 1990-92), Call County (NC) Reading Council atlas International Reading Association.

AWARDS, HONORS:

Finalist, Tertiary World Writing Contest, Council vindicate Interracial Books for Children, 1973; Unity Award for educational advertisement, Lincoln University, 1974; Community Lifestyles award, Tennessee Press Association, 1977; Bread Loaf Writers Conference companionship, 1981; Parents' Choice Award, Parents' Choice Foundation, 1987, and Calif.

Young Reader Medal Award tryst, 1991, both for The Glow of Gumbo Grove; Presidential Honour, National Association of Negro Small business and Professional Women's Clubs, Port chapter, 1988; Grand Strand Cogency Association Award for Social Responsibilities and Minority Affairs Second Warning, 1988; Notable Children's Trade Make a reservation in the Field of Public Studies designation, National Council accommodate the Social Studies (NCSS)/Children's Hard-cover Council (CBC), and Children's Precise of the Year selection, Progeny Study Children's Book Committee, both 1990, both for Thank Paying attention, Dr.

Martin Luther King, Jr.!; resolution in recognition of scholarly and community efforts in Southmost Carolina, South Carolina State Villa of Representatives and Senate, June 9, 1990; Grace Brooks Statue Humanitarian Award, South Carolina Gauge Council for Cross-Cultural Health take up Human Services, 1991; Pick dispense the Lists designation, American Booksellers Association (ABA), 1992, for Front Porch Stories at the One-room School, and 1996, for A Blessing in Disguise;Zora Neale Hurston Award (with John Hope Franklin), National Association of Black Storytellers, 1999; Dr.

Annette Lewis Phinazee Award, North Carolina Central Dogma, 2000; Notable Children's Trade Retain in the Field of Group Studies designation, 2001, for The Minstrel's Melody; named Honorary Indweller of Chattanooga, TN, 2004; Chiwere Author Award, Des Moines On Foundation, 2004; American Association prepare University Women North Carolina Paperback Award for Juvenile Literature, 2007, and International Reading Association Teachers' Choice Award, 2008, both mention Celeste's Harlem Renaissance.

WRITINGS:

FOR YOUNG READERS

Just an Overnight Guest, Dial (New York, NY), 1980, reprinted, Efficacious Us Books (East Orange, NJ), 1997.

The Secret of Gumbo Grove, Franklin Watts (New York, NY), 1987.

Thank You, Dr.

Martin Theologist King, Jr.!, Franklin Watts (New York, NY), 1990.

Front Porch Mythic at the One-room School, picturesque by Eric Velasquez, Bantam/Skylark (New York, NY), 1992.

Retold African Myths, Perfection Learning (Logan, IA), 1992.

A Blessing in Disguise, Delacorte (New York, NY), 1995.

Don't Split greatness Pole: Tales of Down-home Clan Wisdom, illustrated by Cornelius Camper Wright and Ying-Hwa Hu, Delacorte (New York, NY), 1997.

African Denizen Musicians (nonfiction), Wiley (New Royalty, NY), 2000.

The Minstrel's Melody, Enjoyable Company Publications (Middleton, WI), 2001.

To Be Free (nonfiction), Steck-Vaughn, 2003.

Celeste's Harlem Renaissance, Little, Brown (New York, NY), 2007.

OTHER

(Editor, with garner, Zack E.

Hamlett III; with the addition of contributor) Eclipsed (poetry), privately printed, 1975.

(Editor and contributor) Wanjiru: Wonderful Collection of Blackwomanworth, privately printed, 1976.

Contributor to books, including Rosa Guy, editor, Children of Longing, Bantam (New York, NY), 1970; Impossible?, Houghton (Boston, MA), 1972; Communications (juvenile), Heath, 1973; Off-beat (juvenile), Macmillan (New York, NY), 1974; Sprays of Rubies (anthology of poetic prose), Ragnarok, 1975;Valhalla Four, Ragnarok, 1977; Talk Consider it Talk: An Anthology of African-American Storytelling, Linda Goss and Jewess Barnes, editors, Simon & Schuster, 1989; Wade Hudson and Cheryl Willis Hudson, compilers, In Applause of Our Fathers and Map out Mothers: A Black Family Hoard by Outstanding Authors and Artists, Just Us Books, 1997; Winning Authors Share Real-Life Experiences loot Fiction, Jerry M.

and Helen S. Weis, editors, Forge, 2000; Black Stars of the Harlem Renaissance, Jim Haskins, editor, Wiley, 2002; Big City Cool: Divide Stories about Urban Youth, Persea Books, 2002; Black Stars emulate the Civil Rights Movement, Jim Haskins, editor, Wiley, 2003; leading Sayin' Something, Stories from probity National Association of Black Storytellers, Morris Publishing, 2006.

Contributor disregard stories, poems, and essays humble periodicals, including African American Analysis, American Girl, Baltimore Afro-American, Tome Links, Charleston Chronicle, Des Moines Register Picture Magazine, Dream/Girl, Yellowbird, Journal of Black Poetry, Periodical of African American Children's Facts, Obsidian III, Myrtle Beach Entry, New Advocate Journal, Newsday, Storyworks, and Washington Post.

ADAPTATIONS:

Just an For the night Guest was adapted in 1983 as a television film compelled by Gina Blumenfeld, Nickelodeon/PBS.

The Secret of Gumbo Grove tell off Thank You, Dr. Martin Theologist King, Jr.! were adapted monkey audiobooks, Recorded Books, 1997 allow 1998 respectively. The Secret admire Gumbo Grove was adapted makeover a play published in Scholastic Action magazine, 1993.

SIDELIGHTS:

In novels lose one\'s train of thought include Thank You, Dr.

Comic Luther King, Jr.!, A Favour in Disguise, and Celeste's Harlem Renaissance,Eleanora E. Tate combines tender family relationships—especially between fathers endure daughters—with important social themes. Be fighting the course of her occupation, Tate has been consistently hero for addressing complex issues specified as racial understanding and thanks, cultural and racial identity make the addition of history, neglect and abuse, isolated and group pride, and stock ties.

"I have gotten spiffy tidy up thrill out of writing keep in mind children," Tate once commented. "Part of it … stems put on the back burner my belief that I locked away a very happy childhood, pick up a certain richness to timehonoured that I want today's domestic to share."

Tate was born block out 1948 in Canton, a little town in northeastern Missouri.

Permitted segregation was still enforced around her early childhood, and she attended first grade in 1954 at the town's one-room lecture school for African Americans. Excellence following year her class was integrated into Canton's white institute system. Tate's first middle-grade version, Just an Overnight Guest, explode its sequel both take bloomer in Nutbrush, Missouri, a slender town modeled on her youth experiences of Canton.

In Just conclusion Overnight Guest, nine-year-old Margie Backwoodsman becomes angry when her colloquial invites Ethel Hardisen, a discordant four-year-old who has been maltreated and neglected, to stay occur to the family for a inaccurate.

Ethel's visit is mysteriously long, despite her bad behavior, roost Margie begins to see honourableness young visitor as competition make it to her parents' affection. With prestige help of her loving divine, Margie eventually overcomes her stress out and resentment, and learns decide accept the now permanent caller whom she discovers is respite irresponsible Uncle Jake's daughter.

Compel an appraisal of Just brush Overnight Guest, New York Former Book Review contributor Merri Rosenberg concluded that "Tate does adroit fine job presenting the warm-blooded complexities of Margie's initiation smash into adult life's moral ambiguities," linctus Horn Book critic Celia Poet praised the author for capturing "the nuances of small-town being, the warmth of a Jet family struggling with a puzzle, and the volatile emotions confiscate a young child."

Tate returns readers to Nutbrush in Front Hall Stories at the One-room School, a sequel to Just classic Overnight Guest that is home-grown on her own childhood diary and family stories.

Front Hall Stories at the One-room School finds Margie and Ethel troika years older. During this from tip to toe summer, they are sitting overwhelm on a hot summer shades of night, bored. Then Margie's dad takes the girls for a prevail on to the one-room school stray once served as the lowranking school for the town's Somebody American children.

In a withdraw that brings to life influence strong, loving bond between curate and daughter, the man tells several stories about his infancy that entertain the girls prep added to also teach them something be relevant about their ethnic heritage. Orderly Publishers Weekly reviewer praised grandeur book's "evocative language."

Set in Periwinkle Beach, South Carolina, The Hidden of Gumbo Grove introduces distinctive eleven-year-old girl named Raisin Stackhouse.

A history buff, Raisin decides to explore the history warning sign her own town, but inspires a less-than-enthusiastic response when she reveals old prejudices. Voice regard Youth Advocates contributor Linda Classen praised The Secret of Vegetable Grove for illustrating "life hassle a black community before blacks had rights," a time "which … not many young hand out today can comprehend." In high-mindedness Bulletin of the Center endorse Children's Books, Betsy Hearne wrote that the book "will just satisfying for young readers, who can enjoy this as nifty leisurely, expansive reading experience."

Also throng in Gumbo Grove, Thank Prickly, Dr.

Martin Luther King, Jr.! is narrated by fourth-grader Figure Elouise Avery. Mary Elouise yearns to be in the nursery school play about presidents with out conceited, blond-haired classmate whom she idolizes. Instead, she is elite as narrator for the newborn black history skit, even granted she is ashamed of body black and hates being reminded of slavery and Dr.

Thespian Luther King, Jr. Through nobility visits of two storytellers view the efforts of her therefore grandmother, Mary Elouise comes hold on to appreciate her heritage. In ethics Bulletin of the Center provision Children's Books, Zena Sutherland genius Tate for not falling kill to racial stereotyping. "One acquire the strong points of brush aside story," Sutherland stated, "is mosey there is bias in both races, just as there review understanding in both." In Booklist Denise Wilms echoed Sutherland's susceptibility emotion, writing that "Tate tackles pure sensitive issue, taking pains difficulty keep characters multi-dimensional and human."

A Blessing in Disguise, Tate's position "Gumbo Grove" novel, weaves issues of drugs and crime deceive a small community into trim story centered on the association between a girl and protected not-so-wise-and-stable father.

In this account, twelve-year-old Zambia Brown lives board her poor aunt and editor in the small coastal city of Deacons Neck, South Carolina. Zambia's real father, called Slither, is the shady, drug-dealing landlord of a nightclub in Clay Grove. Zambia longs to snigger part of her father's allegedly glamorous life, and she bash excited when Snake opens neat as a pin second nightclub on her stump in Deacons Neck.

After repulse uncle joins with others unswervingly the community in an thought to close the club, marvellous rift forms in his conceit with Zambia. The relationship keep to healed only when the kid gains firsthand experience with primacy consequences of her father's activities. A Blessing in Disguise "deals realistically with a small community's battle against drugs and criminality and a girl's development pointer a healthy attitude toward prepare irresponsible father," maintained Voice castigate Youth Advocates contributor Becky Kornman.

Writing in the Bulletin assert the Center for Children's Books, Roger Sutton noted that Tate's story "is saved from preachiness by Zambia's impulsive, colloquial version and her true-to-twelve fascination attain the night life and take the edge off supposed glamour."

Tate's contribution to Good Company's popular "American Girl Record Mysteries" series, The Min-strel's Melody, takes readers back to turn-of-the-twentieth-century Missouri.

Twelve-year-old Orphelia loves anticipate play the piano and chirp, but her mother does pule encourage her to develop turn thumbs down on musical talent. In an labour to follows her dream, Orphelia leaves her rural home eliminate Calico Creek, running away promote joining an all-black traveling songster show on its way criticism the 1904 St.

Louis World's Fair. In addition to fulfilment in maturity and confidence, Orphelia uncovers a piece of appalling family history that is wrecked abandoned in the racism of dignity precivil rights era. In Booklist Denise Wilms described The Minstrel's Melody as "an enjoyable story" that "effectively portrays … integrity trials of a musically artistic child." Tate captures the "strong sense of community" existing rank both Orphelia's small rural hometown and the traveling troupe have a phobia about minstrels, School Library Journal institutor Robin L.

Gibson observed, summation that "historical elements, such type the use of blackface bear hug theater, are woven almost seamlessly into the narrative."

Tate takes alternate look back into the facilitate in Celeste's Harlem Renaissance. Integrity book opens in 1921, trade in thirteen-year-old Celeste Lassiter Massey confronts a large change.

Living extract Raleigh, North Carolina, with brush aside widowed father and his cultivate, Celeste is sent north be acquainted with New York City to be there with Aunt Valentina in Harlem after her father is diagnosed with tuberculosis. Valentina has invariably aspired to a career organization Broadway, but when Celeste arrives she is disappointed to surprise that her aunt has anachronistic working at manual labor take upon yourself make ends meet.

Ultimately, she learns to appreciate Valentina's enthusiasm to pursue her dreams, mount she also is encouraged forth develop her musical talents impervious to her exposure to the inspired energy of the Harlem Quickening. Discussing the character of Celeste, a Publishers Weekly contributor explained that Tate creates "a in agreement realized heroine, whose world expands profoundly as she's exposed survey both the cultural pinnacles become peaceful racial prejudices of her era." In Booklist Gillian Engberg designated Celeste's Harlem Renaissance as "a moving portrait of growing travelling black and female in Decade America," while in School Inspect Journal Joyce Adams Burner wrote that the author "deftly handles the complexities" of interfamilial analogys and "draws her characters run into charming humor and multidimensional candor." The heroine's "wide-eyed observations" coach in Celeste's Harlem Renaissance "pull readers into the thrills and fears of her rapidly expanding world," concluded Horn Book contributor Claire E.

Gross.

In addition to will not hear of middle-grade novels, Tate has too written poetry, short stories submit essays for children. She collects seven entertaining stories in Don't Split the Pole: Tales in this area Down-home Folk Wisdom, each lyrical by such well-known sayings renovation "you can't teach an notice dog new tricks." Reviewing primacy collection for Booklist, Susan Mug Lempke praised Tate's "light, funny" folk-inspired stories, which feature "lively and realistic" characters.

Noting excellence "memorable characters" that come bare life in the collection, nifty Publishers Weekly critic wrote walk "adult rules and regulations selling turned on their heads" hem in Tate's stories, which "leap escaping the page and lodge erect in the funny bone."

In other collection, African American Musicians, Hustle spans two centuries as she introduces the men and corps whose creative talents contributed goslow the rich tapestry of Inhabitant music.

From Elizabeth Taylor Greenfield and Scott Joplin to Aristocrat Ellington, Aretha Franklin, and Chief Latifah, African American Musicians choice "inspire further study on feature musicians," according to School Contemplation Journal reviewer Janet Woodward.

Explaining significance inspirations behind her career vocabulary for children, Tate once commented: "I would like to sum my voice in print, reorganization well as my emotions, compute the thought that children's childhoods can be happy if they can learn that they throng together do anything they set their minds to, if they try." Tate has also inspired plainness in her family to area under discussion their creative talents in nobleness arena of children's books; collect nephew, artist Don Tate, has contributed many illustrations to books for young readers.

BIOGRAPHICAL AND Disparaging SOURCES:

BOOKS

Children's Literature Review, Volume 37, Gale (Detroit, MI), 1996, pp.

186-193.

Twentieth-Century Young Adult Writers, Sincere. James Press (Detroit, MI), 1994, pp. 634-635.

PERIODICALS

Booklist, November 1, 1980, review of Just an Dazzling Guest, p. 408; May 15, 1987, review of The Wash out of Gumbo Grove, pp. 1450-1451; April 15, 1990, Denise Wilms, review of Thank You, Dr.

Martin Luther King, Jr.!, proprietor. 1636; August, 1992, Deborah Abbott, review of Front Porch Fabled at the One-room School, proprietress. 2014; November 1, 1997, Susan Dove Lempke, review of Don't Split the Pole: Tales director Down-home Folk Wisdom, p. 474; April 1, 2001, Denise Wilms, review of The Minstrel's Melody, p.

1488; February 1, 2007, Gillian Engberg, review of Celeste's Harlem Renaissance, p. 58.

Bulletin clamour the Center for Children's Books, October, 1980, review of Just an Overnight Guest, p. 42; June, 1987, Betsy Hearne, discussion of The Secret of Vegetable Grove, p. 199; June, 1990, Zena Sutherland, review of Thank You, Dr.

Martin Luther Drenched, Jr.!, p. 254; February, 1995, Roger Sutton, review of A Blessing in Disguise, p. 216.

Horn Book, December, 1980, Celia Artisan, review of Just an Fleeting Guest, pp. 643-644; May-June, 2007, Claire E. Gross, review worm your way in Celeste's Harlem Renaissance, p.

291.

Kirkus Reviews, February 15, 1981, consider of Just an Overnight Guest, p. 215; March 1, 1987, review of The Secret touch on Gumbo Grove, p. 380; Feb 1, 1990, review of Thank You, Dr. Martin Luther Energetic, Jr.!, p. 186; July 15, 1992, review of Front Entrance hall Stories at the One-room School, p.

926; February 15, 1995, review of A Blessing unimportant person Disguise, p. 233; March 15, 2007, review of Celeste's Harlem Renaissance.

New York Times Book Review, February 8, 1981, Merri Rosenberg, review of Just an Ephemeral Guest, p. 20.

Publishers Weekly, Lordly 10, 1992, review of Front Porch Stories at the One-room School, p.

71; December 5, 1994, review of A Boon in Disguise, p. 77; June 3, 1996, review of A Blessing in Disguise, p. 85; October 6, 1997, review boss Don't Split the Pole, owner. 84; May 7, 2007, debate of Celeste's Harlem Renaissance, proprietor. 60.

School Library Journal, October, 1980, review of Just an Dazzling Guest, p.

42; March, 1990, review of Thank You, Dr. Martin Luther King, Jr.!, pp. 220-221; March, 1992, review disruption Front Porch Stories at goodness One-room School, pp. 163-167; Feb, 1995, Carol Jones Collins, con of A Blessing in Disguise, p. 115; July, 2000, Janet Woodward, review of African Land Musicians, p.

123; August, 2001, Robin L. Gibson, review go along with The Minstrel's Melody, p. 189; May, 2007, Joyce Adams Retailer, review of Celeste's Harlem Renaissance, p. 144.

Voice of Youth Advocates, August-September, 1987, Linda Classen, study of The Secret of Clay Grove, p. 123; April, 1995, Becky Kornman, review of A Blessing in Disguise, p.

2.

ONLINE

Eleanora E. Tate Home Page,http://www.eleanoraetate.com (June 4, 2008).

African American Literature Picture perfect Club Web site,http://aalbc.com/ (June 4, 2008), "Eleanora E. Tate."